Children stolen from reality


The basis of work is imaging and recording the objects I made. The process connects sculpture, installation, directing and photography, imagination of the audience in same manner as imagination of the creator. The process begins by cutting figures from photos in order to put them in another space to achieve the desired impression. The sole creating of small installations in a certain surrounding is more important than the act of recording. The installation is photoed in order to become a photography. By offering a meeting with until then unnoticed shapes and meanings, my photographies renew our way of viewing in a way that they liberate from conventional. They are constructors of new imaginary world. Photography is a part of artificially created and not of reality. It is generated in a real world, but it creates an imaginary world by using ‘real props’ to shape the world of unreal.

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